![]() |
|
Susan Tierney, Editor
You are cordially invited to examine the current issue of
This complimentary issue is yours to keep
Dear Writer,
Im the editor of Childrens Writer, a monthly newsletter thats dedicated to keeping you up to date on childrens writing, putting you on top of the market for childrens books, stories, and articlesand keeping you there.
We draw heavily on the vast writing and publishing experience of our instructors at the Institute of Childrens Literature . . . and other top-notch writers and editors. |
|
Youll be on top of the trends |
|
These contributors provide us with features, interviews, how-to articles, and insights gleaned from years of success and continuing involvement in the dynamic childrens market.
Our editors and research specialists maintain an ongoing dialogue with outside editors and publishersand they keep a close watch over the entire field of childrens publishing.
And because we conscientiously verify and update our information base every month, were in the unique position of being able to provide you with a continuous flow of current market information vital to your success.
|
|
|
The result is Childrens Writera lively monthly newsletter developed expressly for youto support your writing in two important ways: |
|
First, |
Childrens Writer gives you timely tips, expert pointers, and informative articles on writing style, technique, and contentin every major category of childrens literature.
|
|
Second,
|
Childrens Writer keeps you up to date on the markets you want to sell to . . . what todays editors want at the publications that matter most to you . . . and current developments in publishing that are shaping your future success right now! Thats because Childrens Writer spots the trends, gives you the data, and arms you with answers you simply must have to write to your full potentialand to get your writing published. |
|
These are the operative facts: This complex, fast-changing market, embracing all of the categories from preschool to young adult, needs freelance submissions and is paying well. Yet, the competition among writers is hot. Youve got to have all the facts the pros have (and maybe a few more) if you want to see yourself in printand now you can!
Whether youre writing for yourself or creating a best-seller, Childrens Writer covers the entire spectrum. It gives you up-to-the-minute information you cant beg, borrow, or buy anywhere elseand brings it to you 12 times a year.
More than that, Childrens Writer deals with the current questions and problems youre most likely to encounterand it covers the major markets that buy freelance writing. (We dont waste your time on those that dont.) |
|
How do we know what editors
|
|
How do we know whats selling?And whos buying?
Easy. We tap the daily stream of information we generate to keep our students on top of every freelance marketand pass along helpful tips and expert pointers from editors, publishers, our instructors, and other writers. For example: |
| |
Highlights for Children let us publish their wanted list. The recent one specified fiction for young readers 4 to 8, to 500 words, to include funny stories, folktales, and holiday stories. Plus there were seven more specific wants.
|
| |
Marshall Cavendish wants fun, engaging picture books; chapter books with strong main characters; and historical fiction with a strong story that goes beyond the history itself.
|
| |
Editor Rosalie Baker at Dig advises writers to visit the magazines website for upcoming themes and deadlines. Then write a query that has some zip to it and an intriguing way of approaching the suggested topic. |
|
But thats not even the half of it! Childrens Writer is as much devoted to writing techniques as it is to marketing smarts. It tips you off about new trends that affect your writing (and marketing)gives you pointers on style, choosing titles, and creating dialogueand offers insights on characterization, descriptive techniques, and even writers block. For example . . . |
|
|
How do you handle kidspeak? Do you go with the flow? Or do you translate slang into universal expressions? We offer guidelines you can trust.
|
| |
Animals are an important element in childrens writing. Editors from Highlights, the Cricket Group, Charlesbridge, G. P. Putnams Sons, and Viking Books review the best in current practices, which call for realistic portrayals, not talking animals.
|
| |
Whats the bottom line on writers groups? Should you join one if your writing is going well, or wait until you hit a snag? Childrens Writer answers all the questions and even tells you how to start a group. |
|
Theres more . . . regular how-to articles written by our outstanding editors and educators that give youmonth after monthgood tips, expert pointers, current market data, and insider information, such as: |
|
|
Eight surefire ways to generate article ideas.
|
| |
Editors from Boys
Life, Cricket, Cobblestone Publishing, HarperCollins, and
Simon & Schuster Childrens
Books explain successful writing for tweensthe
age group where kids change how they view their own lives.
|
| |
How to write saleable personal experience pieces.
|
| |
Picture book mysteries form a popular new sub-genre that editors from Clarion Books/Houghton Mifflin, Charlesbridge Publishing, and Kane Press explain fully to our readers . . . and they want submissions.
|
|
Keeps you on top of the market every month |
| And theres still more. Childrens Writer brings you regular features to keep you on top of the market every month: |
|
![]() |
| |
Virtual Coffee Break, Profession, and CraftSeveral regular features where guest writers discuss key aspects of the business side and the writing side of being a professional author. |
|
Of course, as you might expect from the Institute, theres even more:
|
|
Polish your writing skills |
|
Then, to top off every issue of Childrens Writer, you get instructional, informational, and inspirational articles to help you polish your writing skills. Included are topics such as:
|
|
Your first issue is FREE! |
|
Childrens Writer is your newsletter. It was developedand is written and editedfor you.
Wed like to send you a samplefree, with no obligation.
If you like it, you may subscribe at a special rate (for new subscribers only) of $19 for a full subscription of 12 more issues (a total of 13) worth $26. You save $7.
Of course, if youre ever disappointed, you canand you shouldcancel and receive a full refund on all unmailed issues.
|
|
|
Cordially,
|